Richard Kostelanetz
- › Preambles
- › All Along the Edge
- › Choice Bits
- › Las Vegas Performance
- › Book of Kostis
- › Contemporary American Literacy
- › Modern Polyartistry
- › End of Intelligent Writing, reprint
- › More On Innovative Music(ian)s
- › Autobiogaphies at 50 & 60
- › Book-Art & Alternative Publishing
- › A Literary Life in America
- › Animated Music
- › Artists in America
- › Arts & Artists in America
- › Master Minds, rev. ed.
- › The Maturity of American Thought
- › Great American Comedians
- › Continuing Tradition of the New
- › Charles Ives and the American Imagination
- › Special Sounds: The Art of Radio in North America
- › Great Jewish Cemetery of Berlin
- › Sports & Sportsmen
- › Elizabeth Streb
- › More Crimes of Culture
- › The Fall and Rise of the Rockaways
- › Home & Away: Travel Essays
- › American Composers in Their Own Words
- › The Art of Literary Demolition
- › Possibilities of Longer Poetry
- › Alternative American Autobiographies
- » The American Tradition in Poetry
- › John Cage's Poetry
- › Foster Damon's Uncollected Writings
- › Libertarian Tradition: American Anarchist Thought
- › E.E. Cummings ReConSidered
- › Conceptual Dance: Choreographic Comedies
- › An Emma Goldman Reader
- › American Composers as Writers
- › AnOther Ogden Nash
- › Classic Essays on Rock
- › New American Radio Plays
- › Second Anthology of Merce Criticism
Proposal for an anthology, The American Tradition of Poetry
This would represent a radical reinterpretation of excellence in American
poetry. In contrast to, say, Jerome Rothenberg’s America a Prophecy
(Random House, 1973), which collects the prophetic tradition, or The New
Oxford Book of American Verse (1976), which pretends to reprint everybody
important, or The Treasury of American Poetry (Doubleday, 1978),
which is an incoherent compendium, The American Tradition of Poetry
would focus upon those native works which realize technical invention in the
history of poetry. It is my thesis that the principal American tradition in
poetry, as in music and in painting, is one of formal invention in the machinery
of the art--a tradition of doing technically what had not been done before,
either in Europe or here. Therefore, The American Tradition of Poetry
will emphasize the more inventive poems of John Wilson, John Fiske, Edgar
Allen Poe, Walt Whitman, Gertrude Stein, Vachel Lindsay, E.E. Cummings, Langston
Hughes, Eugene Jolas, Melvin Tolson, Bob Brown, Charles Olson, Jack Kerouac,
John Ashbery, John Cage, Jackson Mac Low, as well as those contemporaries
extending this indigenous tradition--in sum, a succession of selections that
will, like innovative art itself, surprise as it persuades. The American
Tradition of Poetry will also contain a substantial introduction
similar to those in other anthologies of mine; this new essay will develop
ideas initially presented in critical essays collected in my book The
Old Poetries and the New (Univ. of Michigan, 1980). Because the theme
of this proposed anthology is so particular, I expect that it will be considerably
shorter than the competing anthologies of American poetry (and thus more reasonably
priced, especially in paperback) and that it will be particularly successful
with students of American literature, not only as the principal book in more
advanced courses, but also as an alternate selection in the standard surveys
(because it collects poems that are not in the other anthologies). The
American Tradition in Poetry could be delivered within a year of
contracture. If interested, please contact me. Thank you.